Dir. Joon-ho Bong
Though the opening image of this film occurs chronologically towards the end of the film, it's amazing the shift experienced from beginning to end. The sedate, wide-angle camera movements and the slowly impassioned dancing contrast with the drive-by hand-held work of the end, with Mrs. Yoon letting go completely. Perhaps she is envisioning her dance in the field? Perhaps she's forgotten her sins completely? Or maybe not. These frames suggest all those possibilities and invite the viewer to contemplate all consequences of those possible iterations.